Cats, Curiosity and an Interrupted Stakeout

This story is part of my ongoing dark urban fantasy series about the character Vanessa Riley. You can find the previous installments here: IIIIIIIVV, VI,VII, IIX and IX. It is also part of my #NaNoWriMo-project for this November.


“Hi! This is Boris Granger, CEO of the ‘Cats and Curiosity Group’. I can’t come to the phone right now, but leave a message after the tone and I will be sure to get back to you as soon as I can.” Beeep.

Vahri hangs up the phone. Yes, she actually, literally hangs it up. She’s standing inside a phone booth by the side of the road, surrounded by a barren sandscape and not another car as far as her eyes can see. Cats and Curiosity Group. Huh. She has never heard the name before, but it’s beginning to seem like this B.G character is a higher animal than what she had first anticipated.

She’s been on the road for several hours, almost ever since she was sure that Chino is safe and that he has gotten the help he needed from Seth Pascal. She drove past his apartment the last thing she did, putting up a magical ward around his building just to be sure. Even if the ritualists can’t scry him magically anymore, that’s still no guarantee that they won’t make a physical hit against him at any time. Neither Vahri nor Chino can afford to be careless right now, and since the djinn-boy doesn’t seem to be the careful type, Vahri will have to compensate doubly.

Because she will not be able to look after Chino personally for a couple of days. The reason for this is that she is on her way to Las Vegas in her red, stolen car. And the reason, in turn, for that is that this is where a certain man called Boris Granger keeps his quarters. Vahri has traced the phone number she found in Mikes hotel room, and knows exactly where to find him.

She leaves the secluded phone booth and steps out into the breaking dawn, yawning and stretching her arms up in the air to get the circulation going. She has been driving the entire night, and is now tired as hell. Her stopping by the road to use the old pay phone was due to equal amounts curiosity and a desperate need to find an excuse for taking a break. She didn’t expect him to pick up – did not want him to, in fact. She just needed to hear what he sounded like on his answering machine in order to get an edge on him magically when once she arrives at her destination.

Every sensory detail you have about a person makes it easier to cast magic on them from a distance. Now she knows what Boris Granger sounds like, in case she’ll be forced to make a move against him later on. The need for using a pay phone instead of her own cell should be self-explanatory – she wants to minimize the amount of information they have on her. Including, but not limited to, her phone number.

She gets back in the car just as the first rays of the sleepy sun make themselves known at the horizon to the east. Hopefully she’ll be able to get a few hours of sleep when she gets to her destination. Otherwise, the huge stash of energy drinks packed on the floor of the car’s small back seat will probably do the trick almost as well. The engine purrs to a start and she pulls back onto the empty desert road again.

***

Chino wakes up and immediately wishes that he hadn’t. His head is hurting, his stomach lurches and the entire world is spinning like mad. He’s lying on the couch, an empty Jäger bottle cramped in his right hand and another lying cramped between his neck and the armrest of the couch. He’s still only wearing the towel he wrapped himself in after the long, hot shower that still has his hair in a wet disarray.

The apartment is dark, and it is only after several minutes of lying painfully and passively awake that Chino realizes that this is because all the curtains in the apartment are drawn. The clock on his cell phone tells him that it’s well past noon and that he has been sleeping for more than five hours since Seth Pascal left.

While looking at the screen of his phone he also realizes another thing: that he has not woken by his own accord. The phone is buzzing and vibrating, and on its screen flashes his foster father’s name. Chino hastily runs through all the mental notes in his head, trying to remember if he is supposed to be doing something important today, or if there is something else he should remember when talking to his dad. He cannot think of anything in his hungover daze, and thus he answers the phone.

“Yeah”, he says and tries his best to sound like a sober person who´s already been up for ours, doing mature stuff and earning his existence.

“Caesar, it’s me”, Ernesto says, as if they were still living in an age when technology didn’t give the caller’s identity away well before the recipient chose to pick up the phone.

“I know”, Chino says and wishes like so many times before that his father would stop calling him by his silly given name. But he doesn’t really wish it, for by now obvious reasons. “How are you?”, he adds and almost-wishes that this could be a polite, rhetorical question like it used to be before. But it isn’t, and the slight pause before his father answers is enough to tell Chino that whatever reply is to come, it is going to be a lie.

“I’m fine, Caesar. I’m feeling really good today, actually.”

Chino wants to break something, to throw something at the wall and yell at Ernesto that he’s not fine, that he is just lying to protect his son and that he really shouldn’t because it is Ernesto who needs help and protection, and not Chino. But he doesn’t do any of this. “That’s… good”, he says instead, like so many times before. Because he, too, is trapped within this charade, in this make believe that everything is going to be alright. That Ernesto isn’t going to die because his family can’t afford a transplant. Because his one son is a useless good-for-nothing failure that can’t even keep his own shit together – much less be of any use to anyone else.

He could wish Ernesto’s condition away, and knowing this is almost the worst part of it. He could do that, but the consequences would probably be terrible. Ivers – in one of his rare fits of actual usefulness – explained this part to him as one of the first lessons Chino received after becoming a djinn. He had explained that there has to be balance, and that every granted wish causes misfortune for someone else.

Chino knows that if he uses his magic to save his father’s life, someone else is going to die. And this someone might turn out to be someone he cares about as well. It’s a terrible choice, and also one he doesn’t think he has the stomach to make. He is still too human to take a life. At least he wants to think so. But the situation is growing more and more desperate, and he’s not sure that this will be his standpoint the day that Ernesto is really at his deathbed. I won’t let it come to that, Chino’s thinking as a lump of panic grows within. I have to get that money.

“And how about you, Caesar? What are you up to today?” That strained cheerful tone again. Almost unbearable.

“Nothing much. I… have been working a night shift, so right now I’m just at home, eh… cooking.” Lies. So many lies.

“Oh, I hope I’m not interrupting in the middle of something then. There’s just this one thing I´ve wanted to bring up with you. About… You remember that I told you about your brother?”

How could I forget? “Yeah, I remember something about that, yes.”

“Yes, right. Of course. Well, I was thinking that maybe… Maybe you should go visit him? I know that he might seem… I mean, I know that you might not feel like it, but at least he is family and I think that it would do you good to at least know who he is.”

Chino sighs heavily. He knows what this is. This is Ernesto making preparations for his own death. He wants Chino to latch onto someone, for example an older, wiser brother, before Ernesto himself leaves him. Chino isn’t sure if this makes him angry or unbelievably sad. Either way, he feels the tears coming and is glad this conversation is not taking place in person. “Do you even know him?”, he says.

Ernesto laughs nervously. “Well, no. I only just met him once, and that was when… When I went to take you home. He was only a boy back then, maybe seven or eight, I don’t know. He should be almost thirty by now. But I googled his name, and it seems like he has a company and that things are going pretty well for him. So I thought…”

Chino doesn’t want to hear anymore. He doesn’t want to listen to his foster father, the only father he has ever known, belittling himself and his resources in comparison to this brother-person that Chino doesn’t remember ever seeing or knowing. He just can’t take it. “Okay, I’ll go see him”, he blurts out just to interrupt Ernesto in the melancholy self-bashing that he knows is to come next. “Just give me an address and I’ll go there as soon as I’ve got the time.”

Ernesto pauses and remains silent for a moment. When he speaks again, Chino can hear the genuine and relieved smile in his voice. “That’s wonderful, Caesar! I’ll text you his address. His name is Ian Salimi. Thank you, Caesar. You cannot know how much this means to me.”

But Chino has reached the limit for how much coping he’s equipped to do right now. He loves his father, but he can’t handle the current, tragic situation for more than a few minutes at a time. “Yeah. Great, dad. Hey, say hello to mum for me, okay? I must go now. The… water is boiling over.”

And this is not even a complete lie, at least not in a metaphorical sense. Before Ernesto has time to say much more, Chino hurriedly ends the call.

So he is going to go see his estranged brother. Wonderful, just what he needs right now. But first, in order to prepare himself to do so, he needs something else entirely.

He wishes so badly for there to be more Jägermeister in the freezer – actually wishes it, this time. He then stumbles to his feet to go and get it, while somewhere in the vicinity an old lady trips on her little dog and drops her wallet down a drain.

***

The day is waning, the sky turning a warmer shade of blue that bodes hours of darkness soon to come. Lights are successively going on inside the many apartment windows on the street, and soon the lamps behind these particular curtains are turned on as well.

Mike Preston remains in his car, engine and lights turned off. He’s been sitting here almost the entire day, ever since he noticed – to his great frustration – that his seals on the djinn and his apartment have been broken somehow. That he can no longer neither see nor track the target from afar. He reckons that it must have been a quite skilled ritualist indeed who has broken them, because up until now he has never had this problem before. Ever.

And it is not the wizard girl, he is sure about that. She has put up some kind of magical ward since the seals were broken, but that’s another thing entirely and he’s seen that kind of work before. It’s the fact that another ritualist has outsmarted him that is the news here. The sudden change makes him both provoked and intrigued. He will have to track this mystery adversary down later.

Right now, however, he has other prey in sight – literally. Because suddenly the door to the apartment building he’s watching opens and a person emerges, immediately to start walking down the street in the increasing twilight. Mike doesn’t have to acknowledge the worn skateboard under his arm to know that this is the djinn – he can see it on his aura even without the broken seals.

He waits for his clueless prey to get a little further down the street before turning the ignition and slowly starting to follow at a safe distance. The silencing runes drawn in charcoal across the entire dashboard of the nondescript car should certainly help his pursuit to remain unnoticed.

At first it seems like the djinn is heading down town, but then he takes a turn and starts walking uphill, toward areas where Mike would not have put him, judging by his style of dress and seeming income. He cruises behind the djinn at a distance while outside the car the buildings and parked vehicles little by little grow more expensive and well cared for. This is a fancy part of the city, and Mike cannot imagine what kind of business the djinn can possibly have here.

Yet the target suddenly stops in front of the entrance to a tall, classy building with huge reflecting windows mirroring the rest of the equally classy street. At first Mike thinks that it must be some kind of company that the djinn is visiting, but then he realizes that this building houses apartments. He quickly finds an empty parking lot and then watches closely as his mark opens the door and disappears into the stairwell.

He shuts down the engine and leans back. He is going to wait here, and when the djinn re-emerges he is going to take him out. Drag him into the car and drive him somewhere for questioning about this Walter Isher. And this time he won’t make any stupid mistakes. If the wizard girl shows up again he shall gladly take her on as well. He owes her that after her break-in into his hotel room the other night – and for the items that she has stolen from him. When he gets his hands on her, returning his gun and his computer will be the least of her worries. And Mr. Granger will certainly not protest getting two bonus wares instead of one, apart from this mysterious Walter.

And just as Mike thinks about his employer, his phone rings. The letters B.G flash across the screen. Shit. He’s not really in the mood for talking to Boris right now, and he really does not have the time for it, either. But Boris has a great gig going, and Mike would hate to endanger his own part in it. So he answers the phone while simultaneously staring intently at the entrance to the building so as not to miss out on his opportunity.

“Yeah?”, he says and tries to keep the worst of the impatience out of his voice.

“Mike, we seem to have a situation”, Boris Granger says and it’s evident from the background noise that he is in the middle of traffic.

“Is that so? And what kind of situation is that?” He’s tired of ‘situations’. Why can’t people ever get to the point without encasing it in polished bull-crap first?

“The customer’s man called. It seems like one of their own agents have picked up on something that might interfere with our services for them. He said that we should probably look into it, before it looks into us.”

Mike cannot help but let out a reflexive laugh. “Whoa, are they threatening us now, or what is that supposed to mean?”

Boris Granger sighs. “I don’t know, Mike. I honestly don’t. Look, he said that their agent is prepared to meet with us and tell us what it’s all about. Tonight. In L.A.”

Now it’s Mike’s time to sigh. “So I’m guessing us means me this time as well?”

“Yes, I’m afraid so. I’m still in Vegas, so it will have to be you.”

“Right. And when?”

“Right away. I’ll text you the location.”

“Boris, you realize, I hope, that I’m not sitting idly here? I’m this close to catching the mini djinn right now. Why don’t you send Pete instead?” But he already knows the answer.

“Because Pete is useless, Mike. He’s just an ordinary man with guns and muscles. You, on the other hand – you know things. You can do things, see things. Start driving down town now, and let Pete take care of the djinn catching. I’m sure he’s way more fit for that task than for meeting with agents of the Club.”

“Sure”, Mike mutters and pulls out from the curb. “As you wish, Mr. Granger.”

He then ends the call and quickly sends Pete the mark’s coordinates, together with the message: “Watch the building. Grab him as he exits. For fuck sake don’t screw this up now”.

Just as he has sent the text his phone beeps. It’s the location for the meeting. The street lights go on one by one in his wake as he leaves the classy street behind, thinking that he’ll kill Pete – and Boris – with his bare hands if it turns out that he has been sitting in this car all day for nothing.

Chris Smedbakken, 2017-11-10


			

The Underground Kingdom and the Living Dead Statue

This story is part of my ongoing dark urban fantasy series about the character Vanessa Riley. You can find the previous installments here: IIIIIIIVV, VI,VII and IIX. It is also part of my #NaNoWriMo-project for this November.


He wakes up, and the whole house is eerily quiet. Devin Murdock smiles widely and lies back against the pillows again for another couple of minutes of wonderful snoozing. He has just had the first night of undisturbed sleep in a very long time – ever since he came back to L.A, in fact. The house has been silent the entire night. No mournful moanings or wailing whispers have woken him up from his well needed sleep.

That weird character Seth Pascal has definitely done their job well, Devin thinks. And this despite the fact that he or she definitely lacks even the most basic sense of humour. He shakes his head as he remembers the exorcist – or freelance priest, as Seth him- or herself was very particular about being called – walking around the house with a ball of incense and calling the ghosts out by name. How the hell did they even know what to call them? Anyways, the job has been done. No ghosts have bothered him since the priest left the house just before midnight, and no ghosts can be seen or heard now. Win.

He looks at the clock. 1:42 P.M. He’s overslept slightly, but to hell with that. He feels he needed it. As he puts his feet down on the cold floorboards he half expects icy, skeletal hands to wrap around his ankles. They don’t. As he walks across the room he is still not able to entirely shake off the paranoia that he has always felt in this house, ever since coming here. Still he stops in front of the large mirror next to the stairs and meets his own gaze in its hazily reflective surface.

Carlito had warned him last week as he gave him the keys to the house: “Don’t look into mirrors. Don’t turn on the TV. And don’t, for fuck sake, ever go into the upstairs bedroom. The old woman sleeps there.”

Devin hadn’t broken any of these rules, and still the ghosts of the house had plagued him for days up until Vahri’s sudden appearance at his gate. And he had not actually been into the upstairs bedroom until she, as well, had informed him about “the woman upstairs”. Tonight, after Seth’s departure, he had slept in the huge four poster bed for the first time – just to prove to the house (and himself) that he could. And no old, bony woman had made him company. Not that he is aware of, at least.

Fuck you, he writes across the dusty mirror with his index finger. Then he pauses for a moment and listens closely. The house creaks silently in the autumn wind, but no indignant ghosts retort with a creepy comeback. He hopes that this is not for lack of coming up with one, but that that ghosts have actually left the house. He hurries down the stairs before he can be proven wrong.

***

He sits in the kitchen with his bag turned over in front of him. Books, notes and pictures lie scrambled on top of the table with not even a real semblance of order. Devin picks up one note, page and image after another, studying them and taking notes in a worn notebook.

Visiting Teneo’s last known haunt was the first thing he had done when he had returned to Los Angeles one week earlier. Of course he had found nothing useful there, apart from lethal traps and empty potion bottles. Teneo had not been known for making things easy on his wards when he was alive, and Devin had not expected his old master to be any less difficult as a dead man.

Having ruled out that place, Devin had gone on to visiting all the previous hiding placed he knew Teneo to have frequented over the years. That had not given him much to go on either, except the knowledge that nothing was to be found there.

Now he sits here studying every bit and piece of information about his old master that he has been able to collect. Photographs of Teneo together with different unknown people, verses on rhyme found scrawled inside books Devin has stolen from the man’s old study and lists of names of people that might know something.

In his hand right now, he holds a picture of John Harpist. Devin feels his teeth clench together at the mere sight of the man he once called “brother”. John had been Teneo’s other apprentice. He was about the same age as Devin, and they had learned about the darkness and the forbidden but omnipotent Abyss together during endless nights of Teneo’s stern tuition.

Sure, there had been competition and some jealousy between the two of them concerning their master’s attention and approval, but Devin had trusted John with everything. With his secrets and with his life. All the more terrible had been the blow then, when John Harpist sold him out to the city’s coven leaders.

Devin will never forget the evening when the large, dark car had pulled up in front of his door. Out had stepped five just as darkly clad mages. They had forced his door open and dragged him with them into their vehicle. Ha had not been able to do anything to stop them.

Then there had been a trial – of sorts. The coven leaders had accused him of being in league with “dark forces”, of being a sacromancer, as it were. They knew this because someone had tipped them off. It hadn’t taken Devin very long to figure out who this someone was.

The evidence had been overwhelming. There had been no chance in hell – or the Abyss for that matter – for Devin to get himself out of the situation with a cleared name. The judges had been somewhat swayed by his tear-filled act of remorse, however – and also by his pledge that he had been tricked into it by some dangerous sacromancer mastermind. He did not name Teneo, of course, and also refrained from giving them John. He was not a snitch, after all. But he had given them the name of the poor, half mad magician living on his street, in whose basement he had some time previously hidden some highly compromising materials.

The so called trial had ended with the coven leaders condescending to sparing Devin’s life, granted one condition: that he leave the city and never return. And Devin had grudgingly honoured that exile for several years, all the while plotting his revenge on John Harpist. Teneo’s sudden death had given him the perfect excuse to return.

Sitting by the kitchen table in his until recently extremely haunted house, Devin Murdock now puts down the photo of his sworn nemesis and lights a cigarette. He never smoked indoors while the ghosts still shared the house with him, but now there is no one he needs to accommodate. He needs to think.

Who knew Teneo well enough, apart from John, to know where he might have hidden his secret stuff? Who, apart from John, might even know where Teneo has been buried? He didn’t keep many friends when he was alive – rather his closest ones had been enemies he’d been wise enough to keep close. No one he might have told about his deepest secrets.

Then Devin sits straight up when the thought suddenly strikes him. Ade. Teneo’s old servant has always been around, and the old sacromancer has probably told him everything there is to know. Because Ade can’t snitch – Ade is undead. Teneo dug him up and brought him back to life during one of his many sick necromantic experiments long before Devin and John had come into the picture. None of them knew what Ade had been in life, or if his name had really been Ade back then or if it was some sick joke of Teneo’s, but there was no uncertainties about what he had become after being brought back from his early grave: an undead serf without a will of his own. If anyone has been let in on Teneo’s last wishes and thoughts, it is probably him.

Devin gets up from his chair and hurriedly sweeps all the notes and photos back into his bag. Since he has not been able to find even a trace of Ade in any of Teneo’s old dwellings, and since Ade has done nothing to contact him with information, only two plausible possibilities remain. Either John has already found Ade and laid claim on all his knowledge about their former master, or Ade has gone into hiding.

Something tells Devin that if John Harpist had found the undead servant already, he would not have been able to refrain from gloating about it. Devin knows John well enough to be pretty certain about this. This makes him dare to hope that Ade has actually fled the field and bunkered up somewhere. If that is the case, there might still be time for Devin to find him. And he knows just the place to go for such intel. He rushed out the door and hopes against all hope that John has not gotten there first.

***

“The Back Shack” is a place that really lives up to its unflattering name. Located at the end of an unhospitable alley in a rather dodgy suburb, Devin cannot imagine the video rental shop gets many weekly visitors. The fact that the shopfront window still displays old, bleached VCR-tape boxes only adds to this suspicion. If Devin had not known what really drew profit to this place, he would have ruled it off as a front for some mobster money laundry operation. But he knows better.

The little bell above the door chimes as he walks into the shop. It is like entering another world – or at least another time. The shelves are lined with the boxes of old VCR-blockbusters and on the walls hang faded posters of by now faded movie stars. The place even has a not-so-discrete porno section, where the pictures on the boxes show underwear stretching so far above the hips of their victims as to remind more of wardrobe themed horror than anything else.

Behind the counter stands Roland, and he’s staring intently at Devin.

“Hello Dev. Have you come to return Highlander two?”

Devin just stares back at him for two entire seconds. Has he ever borrowed that lame ass movie? Or is this some kind of test? “No”, he says then and walks up to the counter. “I’ve come to pay you well for information.”

Roland scratches his bearded neck and seems to struggle to come up with a comeback. Devin can clearly follow the process of battle, failure and resignation on his face. “Okay, then”, Roland mutters finally. “But you’ll have to say the password.”

“For Christ’s sake, Roland. Aren’t we past this already?”

But Roland stands firm. “Password.”

Devin sighs. “Alright.” He puts his elbows on the counter and leans closer. Roland’s breath smells of old potato chips and Mountain Dew, with a tinge of alibi toothpaste. “Yippkayeh motherfucker”, Devin whispers and immediately feels like the most embarrassing idiot alive.

But Roland seems pleased. “Good”, he says while nodding annoyingly complacently. “Now follow me into the back room, and we’ll see what we can do you for.”

Devin walks behind the counter and watches as Roland starts pushing one of the IKEA shelves to the side. The big man breathes heavily as he struggles with the apparently heavy piece of furniture. When a gap forms between the shelf and the wall, Devin can see that there is a door behind it. Not until now does he remember that there has always been a door there, and that it leads to the basement. He thinks that this is a very impractical solution for someone who uses the door often.

“Nice secret door”, he says, voice oozing with sarcasm.

“Thanks”, Roland says and brushes his hands together after finishing moving the shelf. “I came up with the idea myself after watching The Cube.”

Devin has seen The Cube. This door is nothing like it. “Ah”, he says in lack of a better response.

“Come now”, Roland smirks and opens the basement door. “You’ve only seen the top of the ice berg.” And he starts walking down the stairs.

Devin sighs, shrugs and follows.

***

Anyone questioning the profitability of the video rental store called The Back Shack would be entirely correct. Even though every month or so someone actually (and for some strange reason) does come in to rent an old tape, Roland would never be able to make ends meet by running the store exclusively. But while the uninitiated might be inclined to accuse him of running some kind of criminal money laundry scam, the truth is far stranger than that.

The basement of the video store is another story entirely than its outdated ground floor. Here the shelves are new, and obviously carefully chosen to follow a strict sci-fi-modernistic look. They form something of a corridor or pathway – Devin would rather call it a labyrinth – leading this way and that until it finally drops the visitor off in front of a wide desk made of black glass.

Behind the desk, a dozen flat television screens are aglow with images from an assortment of news channels, both local and international. Just as many video recording devices are humming in the background, saving everything that happens on the screens onto their enormous hard drives.

Roland Hayes has built his own kingdom down here, beneath his derelict video rental store. Here he gathers information about everything that is reported in the global media that can, even if it sometimes takes a tremendous knack for imagination and make believe, be interpreted as traces of the supernatural. Ghosts, witches, zombies, vampires, were-people – you name it.

Here he keeps folders upon folders containing newspaper clippings about everything from strange light phenomena and haunted apartments to eerie echoes on the phone line and uncanny family relations in isolated back water towns. He records every TV broadcast from a chosen selection of the world’s major news stations and then carefully filters through them each night to decide what passages are keepers and which ones are not. Those that are chosen are then meticulously sorted into digital folders on one the many external hard drives that line the back wall.

Roland doesn’t need his downtrodden video rental store to generate any income for him; he gets all the money he needs, and plenty more at that, from selling the information he gathers down here to anyone who might be in need of it. Vampire hunters, paranormal investigators, jealous undead relatives and over informed goth kids all find their way into his store sooner or later – and as long as they have been let in on the secret password by someone who trusts them, Roland is not a picky seller. Not at all, actually.

So though he might not be the prettiest or most socially adept young man (or not so young anymore, but you get the drill) on the surface above, down here in the basement of the Back Shack Roland Hayes is the uncontested king. Devin knows this, and has used his services once or twice in the past. Now he hopes for his help in locating the undead servant Ade.

Roland walks behind the back glass desk and sits down in a high backed chair, rests his elbows on the table and puts his fingertips together in a business like fashion as copied straight from some fictional villain in a movie. The transformation away from the slightly socially lost video rental guy from upstairs is complete. Devin just stands there, feeling increasingly awkward in the middle of this nerdy display of power and status.

“Dev, Dev, Dev”, Roland muses theatrically. “What have you gotten yourself into this time?”

“What, what do you mean this time? I never told you about… Roland, are you just making lines up now to sound cool?”

Roland retrieves a cigar from a drawer in his desk and puts it at the corner of his mouth, but doesn’t light it. “Anger doesn’t become you, Dev”, he says calmly, as if he were the Godfather and Devin a young and unruly nephew. “Ease down and tell me how I can help you.”

Devin draws a deep breath and slowly counts to ten. No, fifteen. People don’t tell him to “ease down”. Not if they want to keep their faces intact, at least. But he needs Roland’s help, and so he tries his best to keep his face composed and his voice calm.

“I need to go through your files, Roland. All the weird that’s happened after October first.”

Roland raises an eyebrow. “Globally?”

“No, just L.A. I need to find someone who’s probably gone into hiding, but can’t possibly be very good at it.”

“Ah”, Roland says and rises from his chair. “I think I understand. You’re looking for Tenoe, right?”

Devin flinches. “It’s Teneo. And no. And what the hell do you know about that?”

“Chillax”, Roland says as he walks over to one of the closest shelves and starts browsing through the folders and boxes that fill it to the brim. “I just heard his name being mentioned by some customers recently, that’s all. Sounded like he was up to something… dark.”

“Something dark, alright”, Devin snorts. “He’s dead. Must’ve been that you heard.”

Roland flashes him a perplexed look. “Yeah, well…” He hesitates, then turns his attention back to the shelves. “Must have been that then, I guess”, he mutters.

But he has gotten Devin’s attention now. Can I be so lucky…? He walks up closer to Roland and leans against the shelf next to him. “But who was it that you heard talking about him? And what did they say?”

Roland just shakes his head. “Nah, didn’t say much actually. Not about anything. They talked briefly about this… Teneo guy as if in awe. Maybe a little scared, I don’t know. They weren’t here for intel about him though, of course. Must know they wouldn’t find it here anyways, he is – was – too sharp to leave traces in the news.”

“But what were they after? And when was this?”

Roland smirks and shakes his head. “Oh no, buddy. You know I don’t give out information about clients. Like, ever. If they’re not in the paper, that is. And these two certainly weren’t.”

“Ah, so there were two of them?” Now it’s Devin’s turn to smirk.

Roland bangs his palm against the side of the shelf. “Damn it, now I remember why I shouldn’t talk to you. Okay, there were two of them. But that’s all the info you’re getting on them from me. Okay?”

Devin nods. “Okay”, he says, still feeling that he has tripped upon an important piece of information here. He’ll save it for later, for when he has time to properly contemplate it. He makes a mental note to do so, and then turns to Roland again. “So anyway, how’s it going with those files?”

Roland seems enormously relieved again at the change of subject, and hastily pulls out a large file folder from the shelf in front of him. “Ah, here it is”, he exclaims and operosely carries the heavy binder over to the desk where he then lets it down with a heavy thump.

Devin follows him, and then stands there watching as Roland hums and flips through the pages until he seemingly finds what he is looking for. All the pages are filled with glued on newspaper clippings, and this one is no exception. But Roland points to a handwritten note in the corner and smiles contentedly. “Here you have it – the first of October this year. If you don’t find what you’re looking for here, I’ll fetch you the latest binder as well.”

Devin nods and then immediately sits down in Roland’s chair and starts reading.

Roland seems a little taken aback by being so hastily brushed aside, and remains hovering at the corner of Devin’s eye for another hesitant moment. Finally he clears his throat. “Do you want my help, or should I–”

“Just leave me in peace, will you, Roland?”, Davin says without looking up. He is already irrevocably engulfed in the newspaper clippings on this first page of many that he will have to go through today – every weird news report that has happened since Teneo’s death. He is hoping that Ade will have happened to revealed himself somehow and gotten the attention of mortal society.

Roland huffs a little indignantly. “As you wish, sir”, he then snaps and withdraws into the winding labyrinth of sci-fi-modernistic metal shelves that make up his uncontested underground kingdom.

***

Devin sighs. He’s been sitting crouched in this gods forsaken basement for over four hours and his back and his brain are starting to ache. The sun seems to have set behind the dark screens covering the small windows by the ceiling, and the sound from the humming drives and servers in the room is all but putting him to sleep.

He empties his eleventh cup of bad machine coffee and makes another note in his already almost full scrawled notebook. He’s found several interesting pieces of news already. Most of them he’s been able (or forced) to rule off as unrelated to his search, but he’s still saved some of the most thrilling ones for later; he might still be able to find something worthwhile by investigating them closer.

Three newspaper clippings have been able to entirely catch and sustain his attention, however. He has put them in front of himself on top of the black glass desk, symmetrically lined up as if this could help him determine if any of them is the answer to his questions.

The first of the news pieces is dated almost two weeks back, right before Devin arrived in town. It is illustrated with a rather large colour photo depicting the outside of an apartment door, closed off by police tape. The headline reads: “Mysterious Murder Confounds the Police: ‘The Doors Were Locked and the Safety Chain Was On’”. There is a small chance that the dead body is Ade, and that someone has found him by accident, mistaking him for a dead and abused body. Devin doesn’t really think so, but every clue is worth looking into at this stage.

The next piece is dated one week ago and has no picture attached to it. It is just a short text informing the reader that the police has received several calls from worried citizens, reporting that nightly screams and noises could be heard from inside an old and boarded up hotel building at the outskirts of the city. The text says that the police has looked into it, but have been unable to find anything that would explain the worrisome sounds. Devin doesn’t know what to make of this one, but since the place described in the article seems to be located close to one of Teneo’s previous laboratories it might be worth looking into it.

He gets to the third and final news piece, and when he takes a closer look at its picture he immediately knows that he has struck gold. The headline reads: “Fabulous Living Statue Impresses Locals”, and the black and white image shows what looks like a marble statue of a man standing in the middle of a small square surrounded by cheap barber shops and aesthetically questionable pizza shop windows. Lots of people in different ages are awalk in the picture, probably on their way to or from their respective shopping rounds. But some of the people have also stopped in front of the statue, taking photos and throwing coins into a hat at the statue’s feet.

But it is no statue, not a real one at least. It’s Ade Handma. Devin has no trouble recognizing Teneo’s old servant, who has aided Devin in so many of his experiments and failures in the past. The only differences from what Devin is used to are the colour of Ade’s skin and the style of his dress.

Ade the living statue is covered from head to foot in some kind of white paint or powder, that gives him the marble like appearance of an actual statue. The picture is not very good, but it is still evident what kind of clothes he is wearing. A knee long trench coat and high legged boots – and a tall top hat.

Devin shakes his head in disbelief. Of all the places and weird hobbies, you’ve really taken the prize. He collects the three newspaper clippings and stuffs them between two pages in his notebook. Then he raises from the chair and leaves the basement.

When he reaches the top of the stairs he finds the door to the shop closed and blocked. For the blink of an eye he panics, thinking that Roland has deliberately locked him in – maybe to sell him out to some of his enemies. But then he hears noises on the other side of the door, and realizes that Roland has customers – normal ones this time, judging by the sounds of it.

“No”, he hears Roland say in a muffled voice, “we don’t stock DVD:s or Blue rays. Why? Well, why don’t you have a VCR player? It’s just the way things are, dude. Life’s a pain, get used to it, as Geena Davis once said. What, you don’t know who that is? Then just leave. Get out of my sight.”

Not until he hears the doorbell chime as the customer – or customers – leave the shop does Devin knock on the inside of the door. He immediately hears something heavy being dragged outside, and soon the door opens to let in a stream of painfully bright light.

“You find anything?”, Roland says as he lets Devin out.

Devin nods and walks around to the right side of the counter, not wishing to smell Roland’s musky breath more than necessary. “Yeah”, he says when he has put a safe distance – and a piece of furniture – between himself and the other man. “I found some stuff that will probably help me. How much do I owe you?”

Roland leans against the counter and fixes Devin with a knowing and unpleasant gaze. “That depends”, he says.

“And what’s that supposed to mean?” He tries to sound unaffected, but he is actually getting worried now.

Roland sucks his own lip theatrically. “Well, I would say it depends on how much you want me to keep quiet about you having been here. I just found out that you are – how do you put it? – slightly incriminated in the eyes of your magic law system, ain’t that right?”

When Devin doesn’t say anything, Roland continues in an even more smug voice. “You know I don’t talk about my clients, but you know how it is. Sometimes I slip. It’s only human, after all. But I could try a little extra to keep your visit a secret. And what you asked me to help you with. But it will cost you.”

Devin feels his face heating. Nobody threatens him. Not if they want to stay alive, at least. One, two, three… He takes a deep breath. “I should just kill you”, he whispers.

“You certainly could”, Roland says calmly. “But you should know that I’ve recently joined the Paranormal Workers’ Union, PWU. If you touch me, I can promise you they’ll get in touch as well.”

“I don’t know who the fuck those people are.”

“Oh, trust me, you’re better off that way. So, do tell me, would five grand be a reasonable price for my silence?”

Devin quickly contemplates his options. He could kill this obnoxious mortal, but that would certainly create more problems for him than it would solve. Even counting out this weird Union, disposing of a dead body is not something he has time with right now. He sighs deeply and makes a decision.

“Alright”, he says and retrieves his wallet. He has started counting the bills when Roland clears his throat.

“And then there’s the payment for the information”, he says and produces a calculator from a drawer. “First we have the starting fee, that’s eighty k. Then you were down there for… let’s see… going on five hours. That’s fifty more. And I suspect you’ve stolen some of my material? Then that’s another seventy. So you owe me, including of course the no-snitching-fee, a total of…”— he silences as he puts the numbers into the machine – “five thousand and two hundred dollars.”

Roland looks up at Devin and smiles victoriously. Devin stares back at him, unable to entirely mask his provoked anger this time. He slams the bills down onto the counter without saying anything, and then turns around to leave.

As he puts his hand on the door handle he can hear Roland clearing his throat again.

“What?”, he says without turning around.

“I hope you realize, Dev, that this was only the first down payment.”

Four, five, six…”Fuck you”, Devin says and leaves the shop.

***

It’s the middle of the night now, and the small square is almost empty. Some drunk teenagers occupy a collection of benches at its far corner and an old lady is playing the accordion outside one of the pizza restaurants. Other than that, the scene rests in silence and solitude.

At the middle of the square stands the statue, dead still in the cold autumn air. The trench coat flutters a little in the wind, but other than that nothing gives away the fact that this is no statue at all but a living being. Or at least something that used to be one.

Devin approaches silently, walking slowly across the darkening square as the first drops of a gentle autumn rain starts falling from the cloudy skies. Ade has not spotted him yet, as he has his back turned. Devin watches his coat move in the wind and the white paint run slightly in the places where it is hit by tiny raindrops. He looks so lonely. So… sad. I guess that’s what you get when you are brought back from the dead, abused for years and then left suddenly on your own without purpose.

Not until he is right behind him does Devin address his old friend – if you might call it that.

“Hello, Ade”, he says and drives his hands deeper into his pockets. The weather and the temperature are really making themselves difficult.

Ade reflexively breaks character at the mention of his name and quickly turns around, a frightened look on his face under the thick layers of white paint. Then he seems to recognize Devin, and the fear in his eyes turns into horror, then panic. “No”, he screams and starts running, his coat waving behind him like a flag and his tall hat falling off his head.

Devin is not late to pick up the hunt. The few people still populating the area turn their heads to look in fascination as the famous, white painted living statue is chased from his usual spot by a stranger all dressed in black. Devin realizes this must be quite the sight for them, but right now he doesn’t care – he’ll deal with potentially dangerous witnesses later. What is important at the moment is catching this overdue corpse and find out what he knows about Teneo’s legacy.

Ade is fast, despite his undead state, and they are well off the square before Devin catches up to him at the mouth of a dark alley. Ade has just rounded the corner when Devin reaches out and grabs hold of the collar of his coat. The sudden stop makes Ade lose his balance and fall backwards. The pull of the fall in turn makes Devin lose his grip on the by wet paint slippery collar. With nothing to break or block his fall, Ade falls onto his back amongst the trash and rubble with a painful thud.

“Please, please don’t kill me. Please don’t…” Ade lies on his back in the midst of broken bottles and suspiciously smelling plastic bags and protectively raises his hands in front of his face. As if Devin was out to hurt him – and as if that useless gesture would help him if that had been the case.

Dev steps around a box of broken lightbulbs and is now standing over the terrified Ade, hands now back in his pockets to conceal the fact that one of them is now irritatingly covered in smudges of white paint.

“Please….”, Ade whimpers again.

Devin studies his tragic form for a heartbeat. Although Ade’s entire body is covered in paint, he can clearly tell that the man has not aged a day since he saw him last. Not surprising, of course – the dead don’t age. He still looks to be a tall and slim male in his early forties, short and tidy haircut and intense grey eyes. Now, of course, panic has his face transformed into something less impressive than what used to be the case when he was the respected head servant of the notorious sacromancer Teneo. Pathetic… “Do you really think that I’m here to kill you?”, Devin says.

Ade pauses and stares at him, seemingly taken off guard. “You aren’t?”

“No. Although I guess I should. It’s not your place to run away just because your master is dead. Those like you are part of the inheritance, you know. I could count this as stealing from me and… John.” The last word comes with a bitter aftertaste. He’d really like to get his hands on that bastard as well. All in due time…

Ade crawls into a sitting position with his back against the wall. Devin is certain that were it not for that wall, this desperate defunct would be up and running away from him again in no time. “I’m so, so sorry, master Devin. I–” Devin slaps him across the face.

“No True Names, remember? Jesus, I should just kill you. You’re a walking liability. It’s Dev, you know that.”

Ade nods eagerly, fearfully. “I’m sorry, master… Dev. It will not happen again, I swear. And… And I am truly sorry for running away as well. Or, in fact, I was not really running, although I can see how it might have seemed like that. I was just–”

“Looking after our best interests, I’m sure. Listen, Ade. Cut the crap already. Your little vacation is over. We’ll get you into something more suitable, and then we’re going to talk. And you’re going to tell me everything you know about Teneo’s death.”

And the one called Ade Handma only continues nodding in fear as Devin reaches down and carelessly pulls him back onto his feet. “And no funny business this time”, Devin says as he leads him out of the alley. “Teneo’s not the only mage ever to learn Arcana Excessum, death magic. I could turn you back into a rotting pile of meat before you’ve had time to blink. You’d do well to remember that.”

Ade’s shoulders drop even lower. “That’s just what master John told me”, he sighs heavily.

Devin freezes and roughly turns Ade by the shoulders to face him. “What, John came to you?”

Ade stares at him, panic growing in his eyes again. “Yes, yes he did. I thought you knew. Right after Master passed away. He… Well, this was before I left the mansion. I wasn’t going to, see. I didn’t plan to. It was John who told me to leave. Master Teneo had ordered me to stay where I was and wait for the two of you, to direct you to his grave. And master John was the first of you to come.”

What the actual… Anger and frustration are bubbling through Devin’s blood stream now. “So John came? You mean, John has already found and taken all Teneo’s books and artefacts? You showed him right to them? You fucking undead fuck!” He’s almost screaming, and shakes Ade by the shoulders so hard that the servant’s head is bobbing back and forth.

“Please, master Devin, please, you–”

“It’s Dev, you idiot. Dev!” For his inner eye, Devin sees himself choking the sorry creature before him with his bare hands. He sees himself tearing him limb from limb until nothing remains but twitching shreds of what was once a resurrected man.

“No, I beg you”, Ade whimpers. “Please, I only did what–”

“Why wasn’t I informed, huh? Why was it only John who got the news of Teneo’s death, and not I? Why did I have to hear about it from him, of all people? Can you answer me that, huh?”

“Because” – Ade’s body is being shaken so hard that every syllable sounds like seven – “Because you were not. In. Town. Because you were hi–hiding. Not easy to… to find.”

Devin pauses for a moment. This is actually true, he realizes. Ade finding him where he had been holed up during his exile would have actually surprised him in the extreme. “Okay”, he says hastily. “But you still gave everything to John, didn’t you? All the stuff that was my legacy to claim as much as his. Mine even more, I´d say. John is a fucking snitch and traitor, everybody knows that. You know what he did to me, right?”

“Yes, yes of course I know about that”, Ade says hurriedly. “And I am extremely sorry that you have had to live through all that, young master. I truly am. But, young master, I have given nothing to master John except for information about where to find the grave. Just as the Master instructed me before his death. I swear.”

Devin stops shaking him entirely now. “Wait, you didn’t give him anything?”

Relief growing in his eyes, Ade shakes his head vigorously. “No, nothing. As the Master lay dying he instructed me on what to do after his death. He told me to bury his body in the old mausoleum and then send for the two of you, for you and master John. Then I was to stay put in the mansion and wait for one of you to show up. He didn’t tell me anything about any books or artefacts, he only wanted me to tell you where he was buried. So you could go pay your respects, I reckoned.”

“And then John showed up?”

“Yes, he did”, Ade replies. “He came, and I did as I had been instructed. He, too, asked me about the books and the other things, but I told him the truth – that I didn’t know where Teneo had hidden them. I instead told him where to find the grave, and that I had of course sent for you as well. I suggested that he wait for you, and that you go there together. I was thinking that the Master would probably have liked that, for the two of you to make peace finally.”

“But he didn’t wait”, Devin says coldly.

“No, he didn’t”, Ade says and suddenly looks away – seemingly afraid to continue meeting Devin’s gaze. “And before he went to find the grave… Well, he told me – no, ordered me – to go into hiding. To leave the mansion, find a place to hide and to wait for him there. He said that he would come and get me as soon as he had claimed Teneo’s heritage. I would serve him just as I served Master before he died. And I was also to… He told me not to contact you, or tell you anything – even about the grave. He said that he would kill me if I did.”

“I’m sure he would”, Devin mutters. “But he didn’t come back, did he?”

“No”, Ade says gloomily. “I hid completely for several days, in the woods and completely off the radar. But then the rain – and the animals… Master Dev, I simply had to get a roof over my head. But I had no money and I knew nobody, so–”

“Thus the marble act, I get it. I hope you realize that you’re not very good at keeping ‘off the radar’, Ade”, Devin says and produces the statue newspaper clipping from his pocket. “This is how I found you.”

Ade stares at the black and white picture and the headline and swallows hard. “Oh. Fuck”, he whispers.

“That’s right”, Devin says sternly. “A walking liability, that’s what you are.” He puts away the piece of paper again. “But it could have been worse. You should be happy that it was I who found you, and not a paranormal investigator or some stupid witch hunters.”

“Yes, of course I am grateful for that”, Ade says in a voice that’s hardly convincing at all.

Devin, however, doesn’t care about Ade’s questionable gratitude. “Come now”, he says and starts dragging Ade along again. “This alley – and you – are stinking. And you have a grave to show me before I decide what to do with you next.”

And the two of them leave the alley and walk into the waxing city night, both entirely unaware of the pair of piercing, amber eyes that have been watching their entire exchange from the shadows.

Chris Smedbakken 2017-11-09


You can find the next part here.

The (not so) Graceful Act of Robbing a Ritualist

This story is part of my ongoing dark urban fantasy series about the character Vanessa Riley. You can find the previous installments here: IIIIIIIVV, VI. It is also the start of my #NaNoWriMo-project for this November.


Magic, madness, heaven, sin…

She is sitting in her car, the stereo blaring Taylor Swift at its loudest and outside the windshield night has brought with it a heavy downpour. The rain is beating furiously against the roof of the car and though the radio is maxed up she can barely hear the music.

In her hands she holds a gun.

It’s not any gun, mind you. It’s the one she took from the ritualist called Mike on the night she rescued Chino from him and his less intelligently endowed friend Pete. The same night, incidentally, as she first found out that maybe, just maybe, the notorious Enjoyment Club is not just midwife’s tales at all – but terrible reality. And after her recent talk with Devin Murdock she’s finally beginning to understand just how terrible, and just how real.

The gun is heavy and big, and it glows like silver in the sparse light allowed through the windshield’s cascading water from the streetlamps above. She turns it over, just as she has done so many times already. The signs and symbols engraved upon its smooth surface are many and delicately executed; a true master must have etched them there. The thought doesn’t calm her in the least, as the meaning of these symbols – at least the ones she is able to decipher – do not bode well for the enemies of the gunman in question. He doesn’t have the gun anymore, sure, but it is she who has stolen it from him, and she is quite convinced that this in itself adds her to his list of prioritized enemies.

She knows that Mike, the gun’s owner, works for the Club – maybe as a hired bounty hunter. They were taking Chino to them before Vahri intervened, and she harbours no illusions that they wouldn’t throw her into the bargain as well if they ever got the chance. Therefore what she is about to do next might seem like a really stupid thing – she’s well aware of that. But right now it’s the only option she has if she’s going to stay one step ahead and hopefully alive as well.

She’s going to use the gun to find this Mike.

Oh, she’s not going to kill him, mind you. Not just because it’s really not her style – she’s just only killed one person previously and didn’t particularly enjoy it – but also because he is only the most immediate incarnation of the threat that is the Club. If he is removed, they will simply send others, she’s sure of that. He might be a dangerously skilled ritualist, but he’s not unique. She’ll definitely have more use for him as a source of information than as an unpleasantly smelling corpse and a blotch on her conscience.

She closes her eyes and concentrates, all the while tracing the gun’s intricate patterns with her fingers. The weapon carries a deep, spiritual imprint of the person called Mike. She can feel traces of his essence just by touching it. Using her inherited magical ability of scrying with the gun as a sympathetic anchor it doesn’t take her very long to locate him.

She can feel the warding rituals he has cast upon himself as another might perceive a mesh across the eyes. They don’t stop her from seeing him, but still pose a slight, annoying hindrance. She can definitely see how his wards would pose a real obstacle for a less skilled magician – but he obviously hasn’t counted on being scried by someone of her aptitude.

He’s walking back and forth in an anonymous hotel room, gesturing with his free hand as he talks to someone on the phone. She’s not able to hear him through her mind’s window, but he is clearly upset about something. Suits you well, honey, she thinks to herself as she watches him aggressively stuff an assortment of items into a bag, phone still firmly pressed against his ear.

Then he throws the heavy bag over his shoulder, opens the door and leaves the room without turning off the lights. She knows that she can follow him outside, see where he goes, but she chooses not to. Because she has seen something else. Right before Mike left the room an object fell out of his overstuffed shoulder bag and onto the distastefully carpeted floor. It is a book, and she needs to know what’s inside it before Mike returns to the room.

Vahri opens her eyes, suddenly back inside the rain drenched Ferrari with the decorated gun in her hands. She has not just been able to see Mike inside his room; she also knows exactly where to find it.

She starts the car and turns back onto the road. Hopefully she will be able to find out parts of his secrets without even having to meet him tonight.

***

The hotel is not fancy. Not in the least, actually. If this says something about the ritualist called Mike it is either that he’s the kind of guy who goes out of his way to stay incognito, or that ritualists simply do not make that much money. Either way the low standard of the place makes it easy for Vahri to slip past the reception and up the stairs. The institution does not even come with an elevator.

She reaches the fifth floor without running into a single soul on the way up. Or, well, not counting the unremarkable apparition of a previous suicide victim hovering solemnly on the third landing, that is. It stubbornly ignores Vahri as she passes by, and she willingly returns the favour.

Getting into the room turns out to be a bit more tricky, but nothing she cannot handle. Apart from the mundane hotel door lock (which she picks easily enough using a couple of just as mundane tools) the ritualist has also cast some kind of arcane mumbo jumbo upon it. It takes Vahri a while to figure it out, but finally the door swings open before her. As she rises to her feet again she can’t help but feeling a spell of vain pride come over her. This ritualist might be dangerous, but his wards at least are no match to her.

She stands at the threshold and looks into the room. It is just as anonymous as she registered while scrying it, and the carpet is just as distastefully pink. And there lies the book, just as she knew it would. A part of her knows very well that this might definitely be an elaborate trap to lure her in – that the lock might have been easy on purpose and that the ritualist’s wards against scrying and finding might have been meant to fail all along. But as necessity knows no law, and as being careful is not really her game anyways, Vahri still steps into the room, picks up the book and quickly closes the door behind her.

It turns out to be a notebook bound in leather, the covers much more nondescript than what she would have expected from a guy whose everyday handgun looks like something drawn by a bored gothic monk on speed. But opening the book to its first pages she finds something else entirely.

Page after page is packed with scrawled notes, verses and illustrations, all done by hand in black and scarlet ink. The lets her eyes wander over the lines of the first few pages, but realizes almost at once that she will have to study the book more carefully and in peace before she’ll be able to make anything useful of it. She’s not a ritualist, after all, and many of the things that this Mike might find commonplace and self-evident she will have to decipher to understand.

She puts the notebook in her bag and starts investigating the room. The clean and impersonal state of it definitely lends credibility to the idea of a person who wants to stay under the radar, able to move on at the blink of an eye without leaving any trace. He has not left the room indefinitely just yet, however. She finds a laptop on the low table in front of the 90’s television set, and a small trunk of clothes and personal items next to the worn couch.

She opens up the lid of the computer and is surprised to see the screen immediately come to life. The computer has not been turned off by its owner before he left the room, but still requires a password to be unlocked. Not daring to sit down on the couch in fear of leaving traces of her visit, Vahri crouches beside the table and opens the screen all the way up. A yellow sticky note detaches from the slick surface where it has been sitting and falls onto the floor. Vahri quickly picks it up.

Boris Granger, the note says – and then a Nevada coded phone number.

She shrugs and puts the note inside the book in her bag, eager to get to work on the computer. The login screen has the picture of a dog in the background. Not your average stock photo, but what looks like a personal photography in slightly bad resolution. The dog is sitting on a porch and seems to be waiting for the photographer to throw it something. So Mike is a dog person, huh? Wouldn’t have guessed. She searchingly tries a couple of dog related passwords, but to no avail. This, however, comes as no surprise. This guy is not stupid. It will take more than that.

Instead she summons up the arcane forces to help her. She has done similar things before, magically “hacking” into Facebook accounts of high school enemies and internet haters, but she realizes at once that the ritualist has used more than secure passwords to protect his digital content. Just like the door, the computer is surrounded by some kind of magical ward that she cannot simply dispel using her own kind of magic. The powers practiced by ritualists are something else entirely from the forces used by mages, just as the powers of a Djinn are essentially different from those of a vampire. She’s going to need time to crack this protective spell – either that, or an exorcist.

Then, suddenly, she hears keys in the door. Someone is coming, be it Mike or somebody else. Either way it would be disaster for her to be found here. She flies onto her feet, reflexively grabbing the computer as she does. The door handle is pressed down halfway, then stops. Vahri doesn’t wait around to find out why. Instead she darts toward the window while thrusting the stolen laptop into her bag, together with the just as stolen notebook.

She pulls at the window handle, but it’s stuck. Vahri panics and forgets entirely about carefulness and magical principles stealth. She reflexively calls the magic to her fingertips as she bends the window to her will and forces it to yield. Just then she hears the door behind her start to creak open, and pulls at the window once more. This time, subdued by arcane forces, it swings up easily enough. She jumps out onto the rain coated metal landing of the emergency stairs and starts running downward.

The metal stairs rattle and shake at every step and the rain makes the stairs slippery. She hits her knee on a sharp edge but continues without pause. High above her she can hear a voice calling, but does not turn around. When she reaches the ground she continues running with unabated speed, the heavy bag thumping impractically against the back of her left leg all the while.

She does not know if anyone follows her, doesn’t dare to turn around and look. She also doesn’t dare steer directly towards her car, in case anyone actually does. Instead she takes a long and laborious detour, passing through several blocks before finally doubling back and returning to the obscured alley where she parked earlier.

Once she has thrown herself into the car and locked all the doors she hurriedly uses her magic to set up an obscuring shield around it. Anyone passing by the alley now will see nothing but crates and dumpster, and definitely not a burning red Ferrari with a terrified magician inside.

Shit, shit, shit.

She’s breathing heavily and her pulse just won’t slow down. Just thinking about what could have happened if the ritualist had caught her in his hotel room makes her want to throw up. Out on the field where she had beaten them and saved Chino, Mike and his companion had been on neutral ground. She had also had the element of surprise to her advantage there. She dares not think of the assortment of traps and advantages that could have been prepared in advance on their own home ground. Images from Devin’s horrible tale flashes before her, images of people like her being tortured, raped and eaten alive by the ritualist’s taskmasters. Images of those same things happening to her. She feels sick and has to sit there in the car for several minutes before the acute felling subsides.

She then starts the car and drives far away from the hotel. She doesn’t stop until she reaches a quiet suburb where she parks behind a closed down pizza restaurant. Not until now does she open up her bag to look at the items she’s retrieved from the hotel room.

She knows that all of the objects, but especially the computer, might be traced – if not by mundane means, then with the help of the arcane. Therefore the first thing she does is to secure and isolate them using the same magic techniques as those she has previously used on the stolen gun. The forces weave themselves around the items, one by one, and effectively shields them from scrying and tracking. Vahri hopes that this will prove to be enough.

Knowing that she will probably not be able to crack the computer tonight, she then picks up the notebook. The sticky note falls out, and she sticks it to the panel of the car for the time being. She’ll have a closer look at it later.

The notebook is, as she has already concluded, full of hand written notes, verses and messages – all to do, of course, with strange and complicated rituals. Vahri recognizes some of them, knows at least a couple of them to be warding and binding rites to be used upon the undead. On vampires, for example. She herself would not be able to use these rituals – not without long and extensive training, at least. Just like a fiddler will not be able to simply switch over to playing the cello – at least not Vahri, and she actually tried once – a magician, however talented, cannot just switch over to conducting the rituals of mortals. It just doesn’t work like that. Thus she is beginning to think that she won’t have much use for this notebook after all.

Well, I guess I could sell it back to him and earn some well needed cash, she mused sarcastically.

But then, turning through the pages at random, the suddenly comes upon a name she recognizes. Walter. There is a page in the notebook seemingly entirely dedicated to notes about someone who goes by that name – or Walter Isher, to be more precise. Stuck to the page with a paperclip is a black and white photo of a middle aged man dressed in coat and hat. It must be an old photo, she thinks. And when she turns it over she actually finds the numbers “1923” written in a faded, elaborate hand.

There is also a list on this page where every row is a piece of information about this man. “Grey hair, 7ft 20 tall, sharp nose, red eyes…”  Wait a second. Red eyes? Vahri realizes suddenly that this Walter must be a djinn, just like Chino. And she remembers now exactly where she has heard the name before, as well. The ritualist was pressing Chino for information about this man right before Vahri had rescued him. It must be the same guy.

So these people are really after an even bigger and badder djinn, and Chino and I just came in the way?

She relaxes slightly, daring for a moment to hope that this shitstorm just might pass above their heads if they’re really lucky. If the bounty hunters are after someone else, maybe they’ll leave once they find him. A disloyal thought, sure, but the Club really scares the shit out of her.

Beneath the list there is a short note, written hastily with another pen. “As soon as we have anything to report on this man, or if we manage to locate him, call B.G.” Then a drawing of a symbol that Vahri knows all too well by now – the symbol of the Club. Vahri’s eyes instantly go to the sticky note on the car’s panel. B.G. Boris Granger. So Boris works for the Club – or might he even be a member? Anyway he definitely seems to be the one who has hired these ritualist bounty hunters and sent them here.

An opening, finally. She has a name and a number to a person who is probably part of the Club in some capacity. This might be her way forward in her quest to find out more about this organization and hopefully outwit them before anyone she cares about comes to harm.

As she puts the book down in her lap and lets go of it to look at the sticky note, the pages fall open upon what seems to be the last entry up until now. Vahri reflexively looks down, and instantly freezes.

The entry is dated earlier this very day, and details a ritual with text and illustrations. But not just any ritual.

“We used the hair found in the djinn’s apartment. We mixed it with the blood of an early bird and murky waters from a restless sea. Then we said the secret words and drew the hidden symbols and uttered the djinn’s True name: Caesar Lino Salinas. It has been done. I will now be able to see and find him wherever he hides.”

Vahri starts trembling and the book falls back into her lap. The ritualist called Mike has performed a ritual directed at Chino in order to spy on him – not unlike the magic she used earlier to locate Mike himself. This is bad, really bad. Chino might lead the hunters to his friend Ivers, who will certainly in turn lead them to Neferthali and then straight back to Vahri herself. And her family. And in any case it’s just a question of time before Chino himself is attacked again. And this time the hunters will be prepared.

I have to do something. The ritual must be undone. Now.

And Vahri realizes that the only person she knows who might be versed enough in ritualist magic to actually undo it is in fact not that far away right now.

Gods bless you, Devin Murdock and your fucking ghosts, Vanessa thinks to herself as for the second time that day she dials the number to Seth Pascal.

Chris Smedbakken, 2017-11-01


You can find the next part here.